New Blood 2017

So concludes the end of another glorious year for music which has played host to exceptional records from the likes of Radiohead, Kanye West and a bitter-sweet departure from the one and only David Bowie. In the current climate of the music scene, artists are mauling over each other to dominate popularity with cutting edge precision, side projects and surprise albums galore. Therefore, it remains as important as ever to shine a light on the future fruit of intervention. Interested? Good. Here are 12 artists to hyperventilate over for the forthcoming year…


SoundcheckImage Credit / Sara Amroussi Gilissen

First up is the man on everyone’s lips right now if you have your musical antenna directed in the right direction. Loyle Carner is the microphone wielding alias of South London born ‘Benjamin Coyle-Larner’ and when better to become a fan than the release week of his highly anticipated debut LP? Combining his fluidity as a rapper with the sensitivity of his personal life trauma’s, Carner lulls the listener into his story over Jazz infused instrumentals. He does this with absolute ease and a rawness that doesn’t surface very often within the literature of Hip Hop. At just 20 years of age, he’s been writing, rapping and freestyling since he was just 10 and has since propelled himself into finding a signature sound. His debut album ‘Yesterday’s Gone’ is released on the 20th of January. Until then, his releases so far deserve some serious attention. 


nilufer-image-2Image Credit / Hollie Fernando

With a name reminiscent of an exotic bird from Morocco and accompanying slicked back guitar licks, Meet Nilufer Yanya, the new darling of the indie world. Although actually from London, there is something very Shakira about the whole image that’s proving to be cool as fuck. The sound she captures within her music is a melancholic female interpretation of blues-y King Krule soundscapes with more sass than an episode of RuPaul’s drag race. With only 2 tracks released to date in the form of the anthemic ‘Keep On Calling’ and the delicate intrication’s of ‘Small Crimes’, Yanya is becoming a pretty exciting youngster to keep your eye’s on. Oh, and she’s also done an exceptional cover of ‘Hey’ by Pixies which you should definitely be checking out also. 


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Fan of David Bowie? After 2016, of course you are. Well prick your ears Bowie fans, for this next band are doing something quite special, glitter in tow. Beginning life as ‘Happy Meal LTD’, this now abbreviated London outfit of kooky delinquents are stepping fresh out of a children’s dressing up box and straight into the UK’s list of most exciting new bands. Already renowned for their chaotic live shows and refusal to comply to any specific genre, HMLTD genuinely seem like a band that aren’t here to fuck around and that stand for something intriguing. Even if nobody is quite sure what that thing is yet, due to the elusive nature of the project. Boldly stating that “So far you have only seen our Shadow”, this could be the band the UK has been waiting for. Already earning comparisons to the likes of Fat White Family, it’s only guess work at this point that can define their sound. All we know at this point is that the debut single is an essential listen. 


jorjaImage Credit / Francesca Allen

Hailing from a suburb of Birmingham, Jorja Smith is living proof that you can find remarkable talent in the most unlikely of places. Walsall, to be specific. At just 19 years of age and already having released the masterpiece that is ‘Blue Lights’ when she was just 18, believe me, this is a girl set to to make a big impact over 2017. As a classically trained singer that has a miraculously soulful voice defying her years, Smith is a young Lauryn Hill in waiting. She has already managed to attract the attention of Drake and is currently working on the follow up to her ‘Project 11’ EP with Mark Ronson. To add to her accolades further, The BBC also acknowledged the incredible versatility of her voice by adding her to their ‘Sound of 2017’ list. She’s already the princess of UK Hip Hop, but it seems she has her heart set on becoming the Queen. 


img_0506-2Image Credit / Ray Fiasco

Potentially naming himself after his favourite size of paper, A2 is one of the many new faces contributing to the UK grime scene. Although little is known about the man behind the music, he is an artist with a whole back catalogue of tracks to his name that works as his own producer. The beauty of his work mostly consists of how sensational he is as a producer, crafting atmospheric textural beats with a lethargic hard hitting core. Despite that, he has a lyrical fluidity that is not to be shunned just because there’s better around. Although his instrumentals have a tendency to be bare boned and sparse, they are luxurious in quality and incorporate elements of trap music in all the right places. You can download his debut EP for free over at A2. Thank me later. 


jaduheartImage Credit / Jadu Heart

“Jadu? What the hell does that mean!?” I hear you cry with confusion. Well, i’m just as confused as you are . What I do know however is that this young duo consisting of synth wizard’s Dina & Faro are turning heads for a lot of justified reasons. Signed to Mura Masa’s label and being introduced to the world by him as “the most exciting musical thing I’ve ever heard” this is a project to get your heart racing over. They wear masks but strive for a polar opposite sound to anything Slipknot or Daft Punk may stand for. Blending moonlit ominous tones with sun kissed flurries of absolute bliss. Inspired by J Dilla but sounding more like Jai Paul, the ethereal experience the two-some are bringing to the masses is something quite spectacular. It’s sensual and has an organic earth quaking backbone despite it remaining as tranquil as it is monumental. There’s flourishes of R&B, soul, funk, hip hop and they conjured elements from all this and more to produce the 2 EP’s they treated us to last year. I urge you to check them out and visit their website


jesseImage Credit / Jordan Curtis Hughes

Next up is boy wonder and underground spitter more commonly known as ‘Jesse From SE’, another Londoner hoping to kick some air waves this year. Frequent collaborator with other rising talent Rejjie Snow and a core member of King Krule’s collective of miscreants, Jesse is an intelligent wordsmith that speaks with insightful wisdom. Typically reciting lyrics with impressive intellect over spacious sporadic beats, he is crafting a real name for himself amongst those in the know. The way he spills out such intimacy within his writing and the way in which it is delivered, tells the tale of his woe in a cool, calm and collected manner. There’s a balance of maturity and recklessness within the way he narrates situations he finds himself in, that paint him to be a sinister character with a story to tell. Something you always lust to find in a rap artist. Sharing his name with a famous American outlaw and similarly showing no sign of lowering his weaponry, this could be a deadly year for anyone in his path. 


Laurel by Pip for TurnfirstImage Credit / Pip

As stunning as she is in appearance, 22 year old Laurel Arnell-Cullen has a voice that stuns beyond words. However, for the sake of the article, I will try to translate just how good she is. Welsh roots, Southampton born and now based in London. This travelled song bird has been enormously fortunate in finding a voice as unique as she has. There’s a power to her song writing that is met with the fragility of her wavering vocals that blend to form a beautifully composed combination. She certainly isn’t shy of penning a ballad with roof raising orchestration allowing her to show of her vocal range. Tracks such as ‘Life Worth Living’ and ‘Memorials’ serve as infectious insights into her ear for melodic royalty and impressive vocal range. It’s in the delicacy of her writing that she also finds great comfort however, and songs such as ‘Goodbye’ from her recent ‘Park’ EP are an absolute delight to behold. 


puppyImage Credit / Upset Magazine

Being the only typical band setup of the 12, Puppy’s music doesn’t leave much to the imagination and instead opts for a straight up no bullshit approach. Does this make them any less intriguing? absolutely not. In a generation with a shortage of new guitar driven music, This trio could be the solution to get us back to good old fashioned sloppy rock n’ roll. Hailing from London, this is a band with nostalgia at the core of their sound. They are riding on the high of previous bands that have come before, and are merely crafting their own material from the fabric of their influence. What they have that makes them special however, is the ability to write songs that feel like timeless classics in the current era. ‘The Great Beyond’ and ‘Warm’ are 2 prime examples of this. They sound like Nirvana thrown in a blender with Tom Delonge and an added pinch of ‘Teenage Dirtbag’. Who Knows? They may just have a Smash Mouth sized hit in them yet. How could you possibly seek anything more for a mid-90’s high school disco revival? 


s4uImage Credit / Lily Ann Galt McLoughin 

S4U (Something For You) are another London based outfit looking to cause some serious heat this year. A 90’s influenced female wolf pack led by the exceptionally named characters of Rosita Bonita and Prinz George. They produce all their own instrumentals as a collective and are exploring lo-fi territory with mesmerizing hooks that are nothing short of addictive. Although their paths strayed for a while, the duo fronting the pack are now cemented back together to form the S4U project which they put down to ‘Fate’ and ‘Cosmic Alignment’. Solely deriving their inspiration from the 90’s era and appearing as a female take on blazing squad, they act as a family and suit uniform’s even Flavor Flav would be proud of. Last year’s debut ‘Brazil’ hinted at the palette of sounds in S4U’s repertoire with a 4 track EP, although it didn’t reveal too much about what they are capable of just yet. They have stated they are set to explore new grounds with their music throughout future releases but so far that’s all they are giving away. Hang tight for info. 


courage-3Image Credit / Courage 

Courageous he may be, yet famous he is not. Courage is exciting young talent in the form of Lincoln born producer Joe Carson who is now based in, yep, you guessed it, London. He’s been stirring up quite the attention storm over the past year and has a lot of potential riding on his shoulders. Expressing his diversity in genre, Carson has showcased a lust for expanding his sound from abrasive bass heavy floor fillers to blissful Jamie XX like soothers. On the back of producing ‘My Hood’ for BBC sound of 2017 winner RAY BLK, it’s looking likely he’ll be hot property behind the mixing desk going in to the new year. It’s not often a producer comes a long that can provide the soundtrack to your weekend as well as a relaxed night in with such ease so early on in their career. I’d arguably state he’s the most talented new UK producer of the moment. 2016’s Debut EP ‘Get Some Courage Vol.1’ implies he has a few more volumes in his arsenal. Keep your ears pressed to this one.  


babeheaven_3_copyImage Credit / Momentum

And last but not least, it’s another band from London, There must be something in the water right?… Being described as ‘The Durutti Column of the 21st Century’ and already earning compliments that have likened them to Portishead, the gorgeously named Babeheaven are a Jazz Quintet receiving a fuck load of buzz already. Developing from a durational friendship between vocalist Nancy and guitarist Jamie, the band formed around the duo and their mutual love for trip-hop, soul and ethereal electronics. The rest of the band were scouted out and the initial ideas conceived between the two were fleshed out to form the band before you now. Babeheaven have crafted an awe inducing sound that is ambitious in it’s aims and sonically vivid in it’s technicalities. There’s a real passion at the heart of the band that is married with rich all encompassing instrumentation. There’s an honesty and rawness that has the charm of Adele’s earlier work, but it’s met with such emotionally heavy soundscapes that the band could really be on to something unique here. 

Stream new EP from DeLorean is Not Okay

The second release from Darlington-based DeLorean is Not Okay (Richy Huck) – an ‘experimental, progressive electronic’ act – is an ambitious homegrown attempt at electronic music that dances just as much with melancholy as it does with euphoria.

Full of intricately placed synth parts and vibrant, flourishing soundscapes, the EP’s instrumentals are laden with hope and and a youthfulness that look towards something more, even amidst the unsurity of adolescence. From the quick synth stabs and wailing sirens of “Monorail”, to the moving, elongated chords of closer “I Guess There Is Hope”, “DeLorean II” is a collection of songs that clearly wants to trace the trajectory of life, with all it’s ups and downs.

The EP is also an endearing homage in parts to his idols. A sample of Kanye West, speaking with his singular mindest on intro “II Noitcudortni”, is a little love letter to a creative source of inspiration for Delorean is Not Okay. Their’s also a heartfelt tribute to the enchantment and innovation of Walt Disney on “Liquid Screen 1955”.

Stream EP “DeLorean II” on DeLorean is Not Okay’s bandcamp below:

Also look out for the EP arriving on Spotify within the coming week.

Llovers share their debut single “Borderlands”

“Borderlands” is the debut single from North-East based band Llovers. Awash with permeating, hook-filled guitars and impassioned vocals, Borderlands is a heartfelt reverie and a rousing start for Llovers. It’ll nest itself as all great earworms do, in the borderlands of the mind, and will remain there like sunken treausre in the sand.

5 Artists to Dig Your Teeth Into This Halloween

With Halloween upon us, we give you five artists to sink those fake teeth into (along with all those leftover haribos) on this frightful October night. No tricks here, only treats.


An eclectic, sexual pop-provocateur, Scottish-born Momus is a musical force to behold, and one of the first true post-modern rock stars. His back-catlogue is almost as hard to pin down as the man himself, ranging from the biblical acoustic re-telling of sorts on “Circus Maximus”, to the synth-infused dramatism of “Tender Pervert”. He may have lost sight in one eye (resulting in his now iconic eyepatch), but the man’s never taken his sight off becoming the ultimate musical enigma.

The Brian Jonestown Massacre

You may have first heard of The Brian Jonestown Massacre through their infamous (albeit unfairly edited) potrayal in 2004 music documentary “Dig!”, alongside The Dandy Warhols. The Brian Jonestown Massacre, regardless of their often rocky past, are now reknowned as psych-rock behemoths, their 26 year-long career traversing the underground depths and substance-induced heights of psych. Anton Newcombe, frontman of this now cult band, may have had an eye for danger and recklessness in the past, but he’s always had an ear for writing some of the best melodies in the world of music.

Fad Gadget

It’s a real mystery as to why Fad Gadget, aka Frank Tovey, has been so unjustly overlooked when it comes to his contribution to electronic music. First bursting onto the scene with the idiosyncratic single “Back To Nature” in 1979, he became a major influence for the likes of Depeche Mode, Pet Shop Boys, Trent Reznor and Boy George. Fad Gadget’s harsh electronic pop, fused with his biting social commentary, made many realise that you don’t need to dress up the truth behind a well-tuned six-string, when the truth sounded just as good bouncing between coarse synths and club-cut basslines. A fad gadget among tedious toys.

Warren Zevon

When Warren Zevon was diagnosed with a form of cancer in 2002, instead of undergoing treatments he believed may incapacitate him, Zevon instead went into the studio to record his final album, The Wind. Only two years earlier had Warren Zevon performed his song, “My Shit’s Fucked Up”, live on Jools Holland, unbeknown of the significance and irony of such a performance, and how his strong sense of self and his humour, in the end, became his legacy. This kind of bleak humour and self-awareness are threadlines that can be traced back all through his career and his songs, with Warren often found ruminating over his tumultuous life, or using his songs as vehicles to tell mini-stories, his tongue-in-cheek lyrical flamboyance his best weapon.


The story of Sixto Rodriguez is as humbling a tale as ever. The focus of 2012 documentary “Searching For Sugar Man”, the film follows two South African fans search for the musician, who had disappeared off the face of the Earth after two albums, released in 1970 and 1971. It’s a heart warming story, as Rodriguez’s albums became more popular in South Africa than albums by the likes of Bob Dylan and The Rolling Stones. Rodriguez, hailing from America, was himself completely unaware of what was happening in South Africa. He became a cult figure to those people, and there were legends created about his apparent disappearance into oblivion; how he set himself on fire on stage and had died as a result. The conclusion of the documentary has a much happier (and a less mythical) outcome than the legends that had surmounted overtime, but his music itself will always remain a treasure for the people of South Africa, as it was once their own fabled lore, obscured from the rest of the world.

THE BLACK WAX : VOL. 1 (Curated by. Chris Herbert)

After taking a leisurely yet well deserved vacation from my services for The Black Wax, I felt compelled to mark my return with a few tracks I have been digging over the past few months. There are a variety of rumours surfacing online that I was fired by the boss of the company for my non- compliment attitude and overly expanse music knowledge however this simply remains a myth. I felt that I had to step back and do some soul searching before I could give any kind of worthwhile opinion on the current state of music, so here I am.

This 40 track genre spanning playlist plays host to some of my current favourite gem’s from up and coming artists such as Jorja Smith,  LA Priest, Tirzah, Jadu Heart, Tuff Love and Kagoule. It also features a collection of floor fillers from the likes of Zak Abel, Lil Uzi Vert and Kaytranda that are mandatory in reinstating my street rep and will have you dabbing til the AM. You will also be lending your ears to an array of stone cold classics that I feel deserve to remain dustless. I thoroughly hope you enjoy the songs I have selected. Live Fast, Die Whenever.
Image Credit: Meshes Of The Afternoon / Maya Deren (1943)

Discover: Her’s dreamlike new single ‘Marcel’

Photo by: Ryan Jafarzadeh Khamneh

‘An impressive followup to an already spectacular couple of singles’

Liverpool Dream Pop duo Her’s new single ‘Marcel‘, could quite possibly be the perfect way to drift into the not so welcoming autumn breeze, now that the end of summer gloom is setting in. It’s dreamlike, relaxing and it almost makes you feel like you’re on the beach, but in autumn. The beach in autumn? You must be mad.

The production is excellent, the tone is superb, the baritone of the lead singer’s voice is absolutely perfect for this genre and there is literally no critique to be had. They are most definitely a musical duo to watch out for and there’s no doubt these two guys have talent. Just keeping making music and we’ll keep listening.

Marcel‘ is an impressive followup to an already spectacular couple of singles, ‘Dorothy‘ and ‘What Once Was‘, which you can listen to here.

Are Liss The Future Of Pop Music?


The phrase ‘the future of’ is an idea that gets thrown about a lot when it comes to new music nowadays. Be it indie music or hip-hop, there always seems to be a constant stream of acts that get labelled as the future of their respective genre. However most of the time these artists never reach their once promised heights and are forgotten about when the next ‘the future of’ brigade rolls around.

Well here at The Black Wax, we’re going to use said cliché term and say that Liss are the future of pop music. But before we start, we’re not referring to pop as in you’ll see them in the Top 40 in the next couple of weeks. We’re grouping them in the side of pop where artists like Grimes reside. It’s the music we should be hearing when Marvin Humes introduces the Top 40 on Heart Radio, but sadly probably never will.

But first, who actually are Liss? Hailing from Denmark, Liss are signed to XL Recordings. Currently based in Aarhus, the four piece consists of Søren Holm (Vocalist), Vilhelm Strange (Guitarist), Villads Tyrrestrup (Bassist) and Tobias Laust (Drummer). Revealed in the NME, their parents raised them listening to Stevie Wonder, Björk, Hendrix and Massive Attack. These influences certainly feed into their music, with their first two released tracks Try and Always being packed with lavish instrumentation and production.

Liss themselves know they have something special about them. When performing live, they have an aura that you can’t help but feel and tap into. They play like a band that have been doing it for over 10 years, yet they’ve only been around since 2015. They’ve even got Jamie xx’s endorsement, who was recently spotted at one of their gigs in Copenhagen.

Since the release of their debut tracks, Liss have gone even further to bolster their pop prowess. This year they released their debut EP, titled First. Here they explored their sound even more, with the four track project outshining their already stunning material.

Single Sorry leads the EP, whilst follow up track Good Enough funks its way into your consciousness. Stand out track Miles Apart is easily one of this year’s best tracks and really shows how Liss can make a truly infectious pop hit. Finishing on Without Me, this slow jam ends the EP with stellar execution.

That fact of the matter is, there is nobody making pop music as good as Liss right now. So by the time the next batch of ‘the future of music’ comes around, Liss won’t have been forgotten about and no doubt will be even better than they are now.

Beyond the Wizard’s Sleeve – The Soft Bounce – Album review

‘You throw the sticks up in the air and they come down in a different pattern’. This quote from Third Mynd, the final track on Beyond the Wizard Sleeve’s debut LP, The Soft Bounce (which features famed journalist Jon Savage reading period descriptions of acid trips) sums up the approach BTWS have taken towards this long awaited album. Comprised of DJ and promoter, Erol Alkan and acid house pioneer/The Grid member, Richard Norris, this ‘sonic brotherhood’ came together through a mutual love of 60s psychedelic rock and gained acclaim for their daring ‘re-animations’ of songs by Simian Mobile Disco et al., putting an idiosyncratic psych slant on the source material.

Rather than treating psychedelic music like a museum piece, as many revivalists are wont to do, BTWS dissect it and infuse it with krautrock, Balearic synths, space rock and most notably, acid house, with the end result being a very 21st century version of psychedelia. The sunny pastiche, Door to Tomorrow showcases this arrangement: Beatleseque string arrangements and lyrics about the ubiquitous 60s musem ‘Emily’ are tempered and modernised by a hip-hop influenced drum loop. Vocals on the latter are ably handled by Euros Childs, one of several guest stars roped in for the project, including Blaine Harrison of Mystery Jets and the aforementioned Jon Savage.

Despite the amalgam of influences and ideas scattered across the album, The Soft Bounce is surprisingly cohesive, with 70s inspired rockers (‘Iron Age’) rubbing shoulders with bossa nova grooves (‘Creation’) without seeming strikingly incongruous. This is a testament to the deft production of Alkan and Norris, who have parleyed their passion and years of experience, both together and apart, into a rich, diverse first album, one which rewards, nay, demands repeated listens. 2016 certainly isn’t shaping up to be another Summer of Love in the vein of 1967 or even 1988, but The Soft Bounce provides a gentle transportation to less angsty and doom-laden days.

Listen to ‘Diagram Girl’ below